It is most unusual for a historian to go into print in the introduction to their latest book and to wonder aloud whether it should ever have seen the light of day. Joanne Ferraro has a point. This study of early modern Italy enters territory in which any historian would wish to tread carefully.
I first came into contact with Jo Laycock’s Imagining Armenia when I received the Manchester University Press catalogue and found it listed on the page after my book.
What is a ‘Companion’ for?
How do we conceptualise the African diaspora? The forced migration through the slave trade and its impact on the cultures of origin that slaves brought with them to the Americas has constituted an important area of academic research since the pioneering work of Melville Herskovits and Roger Bastide.
This is the book about German Orientalism I felt I could not and did not want to write, and I am very grateful to Ian Almond for having produced it.
The Surplus Woman is an important contribution to a growing international literature on the history of single women. Its chief strength is its affirmation of marital status as a central category of analysis for historians.
Celebrity is becoming a hot topic for academics of all kinds, witnessed by the launch of the journal Celebrity Studies earlier this year.
Reports of the death of the Mediterranean – on some accounts from pollution, on others from conceptual redundancy – have proved exaggerated. Conceptually, at least, ‘The Mediterranean’ flourishes as never before: an idea more than a sea. It seems ubiquitous on web sites and in book and journal titles as well as on conference posters, not to mention political action plans.
Wasteland with Words is a very welcome addition to the small number of academic books about Iceland’s modern history available in English. The few other works on modern Icelandic history are largely written in Icelandic for local consumption.
‘International, intergenerational, and interdisciplinary’ (p. xv) is how Porterfield positions this ambitious collection which analyses caricature between 1759 and 1838. A product of a conference of the same name, the essays it contains fulfil this remit admirably whilst attempting to explain the rise of caricature.