How should we read the Crusades? The question begs a host of others, not least how do we read them, in the light of how we have read them in the past. Beginning as a historian of how the Crusades were regarded in their own high mediaeval time, Elizabeth Siberry has more recently constituted herself the historian of how they have since been regarded in our own.
The aim of Roderick McLean's book is to assert the continuing importance of monarchs in European politics in the decades immediately before 1914.
John Charmley is, of course, no stranger to controversy.... How tempting it would be to begin a review of his latest book in this vein.
Research into the origins of the First World War, like the work undertaken on most controversial historical topics, is subject, at least to some extent, to the dictates of scholarly fashion. Thus, it was that, not so long ago, much of the writing on this issue focused on the cultural factors that, it is said, predisposed the people of Europe to rush headfirst towards the precipice.
Totalitarianism as a concept has made something of a comeback in recent years.
'We historians are dull creatures', A.J.P. Taylor once wrote, 'and women sometimes notice this.' One woman who obviously thought Taylor far from dull was Kathy Burk, the last of his postgraduate students.
This book is committed to two main propositions, one general and one more particular.
Arthur C. Clarke once remarked that the time would come when nothing of the twentieth century would be remembered except the moon landing in 1969. Clearly that time has not come. Indeed we seem to be in danger of forgetting Neil Armstrong's small step altogether. More than half of the planet's inhabitants today have been born since a man walked on the moon.
The reviewer's first duty is easily accomplished. This is a feast of entertainment and instruction to the diplomatic historian (and even more to the undiplomatic historian) of Ireland, Britain, Europe, Israel, India, Burma, the British Commonwealth in general, South America, the U.S.A., and the United Nations.
The period from the late 1980s has seen a belated but growing interest in the social and cultural history of women's music life and Paula Gillett's elegantly written, widely researched and thought-provoking monograph is a welcome addition to the literature.