For all historians of this last, most violent, century some concern with matters of war and peace has been unavoidable.
In late 1909, a suffragette attacked the Asquith government’s youthful President of the Board of Trade, slashing his face with a whip as he prepared to give a speech in Bristol station. Briefly stunned, he fell toward the station’s tracks at the same moment a train pulled out of the station.
Who was the Welsh soldier of the late Middle Ages? What was the world from which he emerged, and for whom, and against whom, did he fight? Can it be claimed that he made a significant contribution to the way wars were fought during this period?
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
For more than 75 years the historiographical debate surrounding the appeasement policy of the 1930s has centred upon the notorious 1940 publication Guilty Men, in which a trio of left-leaning British journalists unleashed a vitriolic polemic castigating those men responsible for leading a hopelessly ill-prepared Britain into a catastrophic war.
‘We are not enemies, but friends. We must not be enemies’.(1) These famous lines from Abraham Lincoln’s first inaugural address serve as a stark point of contrast in the introduction of Damn Yankees! Demonization and Defiance in the Confederate South. For whilst Lincoln implored the nation to avoid violent confrontation, the war of words had already begun.
Presented as the record of a small colloquium held in 2013 to honour the contribution of Lord Jonathan Sumption to the study of the Hundred Years War, this volume consists of some 18 papers (three of which are in English) on the theme of routiers and mercenaires operating in France during the Hundred Years War.
Embracing Defeat is a richly researched, beautifully illustrated and elegantly written account of the period of the US-led occupation of Japan from 1945–52, winner of the Pulitzer Prize and the US National Book Award, among others. Throughout the book John Dower’s writing is elegant, informative and easy to follow.
Tim Snyder’s ambitious Bloodlands set out to place the murderous regimes of the Third Reich and Stalin’s Soviet Union in their overlapping European contexts.
Sonya Rose’s initial interest in national identity was sparked by the patriotic fervor that burst forth following the declaration of the first Iraq War (1990–1). ‘I wondered at how easily patriotic sentiment and the sense of belonging to a nation under threat – even if that threat was so far away – could be aroused’ (p. 285).