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20 years ago, Ira Berlin pushed the fields of African American history and the history of slavery in the United States in radically new directions. From the 1970s through the 1990s, historians had produced scores of works, scattered across specialized journals and obscure monographs.
The title of A History of Borno, Trans-Saharan African Empire to Failing Nigerian State has two ambiguities. Situated in the Sahel, Borno did not span the Sahara. It was Trans-Saharan by being linked culturally and economically to the Mediterranean and the Red Sea, rather than to the Atlantic. Whether the failing state is Nigeria or Borno is also unclear.
With her latest book, Jordanna Bailkin makes a singularly impressive contribution to 20th-century British history. Her focus is on the various sites that were built or, more commonly, re-purposed to hold refugees who reached Britain at various stages in the 20th century.
Today it seems almost customary to apologise for writing another book on the events between 1941 and 1945 that came to be known as the Holocaust, Shoah, or the Genocide of the Jews.(1) The explosion of scholarship since the late 1980s has filled entire libraries with information on the Holocaust and established a basic chronology.
The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.
Never has the extraordinarily rich literature on mass atrocity seemed more relevant as ongoing reports from around the world remind us that we live in an age of genocide. This vast repertoire of scholarly work can appear at maximum capacity with countless overarching theoretical frameworks of mass violence.
It has become commonplace for historians to refer to 18th-century England’s ‘consumer revolution’. Empire, international trade and later industrialisation brought goods to English homes in ever greater numbers and variety. Debate continues, however, on the extent of participation in this revolution.
Pauline Gregg’s Freeborn John was previously the most recent full biographical work on John Lilburne. Published in 1961, Gregg’s work was extremely close to H. N. Brailsford’s seminal The Levellers and the English Revolution; the two works standing for decades as the cornerstones to Leveller historiography.
It is impossible to understand any human society without exploring its emotional rhythms, from the most dramatic to the most subtle. For too long, historians have ignored this simple truth… Yet in the Middle Ages, emotions were everywhere.
A Guide to the History of the Salient