In the introduction to her long-awaited and extremely interesting study of the popular literature of Victorian interior decoration, Judith Neiswander prepares her readers – and perhaps to a certain extent herself – for their predicted negative reactions to the décor of the late 19th-century middle class home.
The line of modern British Prime Ministers is remarkable for the numerous authors included in its number. Lord Grey wrote a volume on the causes of the French Revolution. Disraeli produced a shelf of novels. Balfour contributed volumes of philosophy. Churchill put his indelible mark on the writing of 20th-century international and British history.
Maxwell-Stuart's The Chemical Choir is a potentially useful book about the history of alchemy from its roots in ancient China and Egypt in the 4th century AD until the 20th century. It has several merits. Firstly, it breaks down a complex subject – the study of nature through experiments with chemicals – into ten easy-to-read chapters.
The title and sub-title of this work promised much, suggesting – to this reader at least – that we would be presented with a monograph that could help take forward the growing international and inter-disciplinary scholarship on the animal – human historical relationship. The study of non-human animals within the humanities and social sciences has developed dramatically in recent decades.
It has begun to seem clear that the modern British Empire was driven by a remarkable amount of uncertainty. Far from the shameless and confident enterprise some once imagined, the value and proper shape of overseas expansion was – from Hakluyt to Hobson – a matter of constant and consistent debate.
This is an ambitious and weighty study of prisons, prison labour and penology from the early Republican period through the Depression years which McLennan argues has been characterised by ‘a long continuum of episodic instability, conflict, and political crisis’ (p. 2).
Gutenberg-e’s Digital Gumption
Second only to movable type, as far as libraries are concerned, is the emancipation of journals from their printed-texts. Gone, or nearly so, are those titles irregularly delivered, with their maddeningly unanticipated supplements, infernal name changes and gargantuan space requirements, in lieu of their let-freedom-ring electronic environments.