The somewhat conventional choice of jacket imagery – detail of Clio, the muse of history from Vermeer’s The Art of Painting – belies the ambitious aims of Dr Ulinka Rublack’s Concise Companion to History. It sets out to be a ‘guide to be inspired by and rethink history’ (p.
Over the past few decades we have been invited to rethink history, pursue it, practise it, defend it, refigure it, and generally consider what it is, what it’s for, and whether we really need to bother with it. Now, just as we think it must all be done and dusted, if not done to death, we are offered more advice on ‘doing’ it.
In History in the Discursive Condition (2011) – a follow up to her (for me) ground-breaking Realism and Consensus (1), and Sequel to History: Postmodernism and the Crisis of Representational Time (2) – Elizabeth Deeds Ermarth, a student of interdisciplinary cultural history and theory, explores the practical implicat
Hayden White is a controversial figure in the world of history. Study any textbook on the theory and philosophy of history, and you will be assured that his 1973 book Metahistory marked a revolutionary turning point in historical theory.
One could perhaps argue that, so far as the popular academic imagination is concerned, America has never had much of a reputation so far as historical theory goes.
As Geoffrey Elton put it, ‘The future is dark; the present is burdensome; only the past, dead and finished, bears contemplation’.(1) We take the concept of ‘the past’ for granted, yet Schiffman argues that the notion of the past as a concept ‘began only fairly recently, during the Renaissance, and did not culminate until the eighteenth century, after which it acquired
In The Future of History Alan Munslow tackles the big problem facing historians in the 21st century, the problem of whether history as we know it has a future and, if not, what historians should do about that.
A book-length examination of the work of Frank Ankersmit has been long overdue. Ankersmit occupies a curious position in regards to the various skirmishes taking place over the philosophy of history in the past 30 years or so.
In his principal books on the philosophy of history, in particular Rethinking History (1991), On ‘What is History?’ (1995), Why History? (1999), Refiguring History, (2003) and At the Limits of History (2009), Keith Jenkins, the noted postmodern philosopher of history, displays a remarkable constancy of approach, involving a thoroughly sceptical/postm
According to the blurb on the back of this book: