This book sheds much light on the ascendancy of liberal values in the 19th century and their role in the transformation of the fiscal military state of the previous century. While using a wealth of secondary literature, including many essays and review articles in literary weeklies and monthlies, William Lubenow charts new and important territory.
This book is written with a clear purpose: to unsettle assumptions conditioned by the power of institutions such as states and armies to frame the first draft of history. Matt Perry has taken the decision to put before readers the subaltern voice of a French socialist activist.
And whenever we abuse that reason, and act beneath the character and dignity of a rational creature, we lose the divine image in that respect; we have nothing to denominate us men but outward shape; or, in other words, we become brutes in the shapes of men.(1)
‘I wish I knew a history was a history,’ remarks Gertrude Stein in A Geographical History of America.
Theodore Ziolkowski has been writing in the fields of German literature (especially Hermann Hesse) and comparative literature for some 50 years. One of his abiding interests has been an examination of what happens to the mythology, themes and plots embedded in works of ancient literature when modern writers and other artists encounter them.
At the start of his brilliant essay ‘Venice’, first published in 1882, Henry James famously commented that there ‘was nothing new’ to be said about the city. An equally famous quotation is to be found in the first edition of Murray’s Handbook for travellers in Northern Italy published forty years earlier: ‘no one enters Venice a stranger.’ (1842, p.
How should we live? Roman Krznaric, in The Wonderbox: Curious Histories of How to Live, tackles a question as old as civilization itself from a position more fundamental than philosophy, religion or psychology offer on their own. This position is historical.
David Nirenberg’s Anti-Judaism: The Western Tradition is an impressive scholarly accomplishment that matches a dauntingly large subject matter with a vast vault of personal knowledge. At 474 pages and 13 chapters covering more than 3000 years, it is thorough without being exhaustive.
From the late 1960s, the methods and claims of ‘conceptual history’ – although perhaps not Begriffsgeschichte – have fruitfully informed the scholarship of historians working on early-modern British and ‘Anglo-world’ political thought .
‘The Sitwells belong to the history of publicity rather than of poetry’, famously pronounced F. R. Leavis in New Bearings in English Poetry (1932).