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The New Woman in Fiction and Fact: Fin-de Siècle Feminisms / eds. Angelique Richardson, Chris Willis
The New Woman in Fiction and Fact marks a new departure in literary and historical studies of a fin-de-siècle icon. Scholarship on the New Woman has traditionally explored her status as a controversial figure whose unconventional behaviour signified, for some, the promise and for others, the bane of modern civilisation.
William Harrison was a prominent Elizabethan intellectual, best known for his ‘Description of Britain’, included in the second edition of Holinshed’s Chronicles (1587).
The enormously energetic working-class reading cultures occupying the core of Jonathan Rose’s magnificent study grew up from rather unpromising roots. For long periods, reading, like publishing, could be a dangerous business.
George III, as G. M. Ditchfield readily acknowledges in his authorial preface, has hardly been ignored by historians.
The articulation of a national network of elementary schools in England and Wales after 1870 and legislation to compel attendance at these schools from 1880 created marvellous opportunities for publishers. School authorities were major purchasers and the children in their schools a captive audience.
This collection of essays arises from a conference hosted by the Centre for Metropolitan History at the Institute of Historical Research on 13 April 2000 entitled ‘Revisiting the Livery Companies’.
Pornography used to be regarded as ephemeral, trivial and unimportant. Insofar as it had a history, it was as one aspect of the long battle for, and ultimate triumph of, free speech. Histories of literary censorship and legal obscenity by writers like H.
In this book Georgios Varouxakis analyses the Victorian perceptions and representations of France and the French by intellectuals or, more precisely, ‘public moralists’. John Stuart Mill, Matthew Arnold and Walter Bagehot provide the major textual sources, supplemented by a handful of lesser-known authors.
Writing in the weekly journal the New Statesman on 17 March 2003, the columnist Cristina Odone praised British troops in the Gulf for enduring the privations of active service without complaint. Quoting Henry Newbolt’s invocation of British chivalry in Vitai Lampada, in which British soldiers remember their schoolboy selves and resolve to 'Play up! Play up!
At first sight the idea of another scrutiny of the official mind hardly seems likely to add much to the debate on the end of empire.