Eighteenth Century Collections Online (ECCO) is an immensely ambitious undertaking: over 150,000 texts in an online searchable database.
However much cartoon specialists might deplore the fact, the principal academic use of cartoons originally published in newspapers and magazines is as supporting illustrative material for primarily text-based enterprises.
The 19th Century British Library Newspapers digital archive provides a full run of 48 British newspapers from the 19th century from 1800 to 1900.
This volume brings together papers given at the Expert Seminar held in Sheffield in April 2006. The seminar allowed historians and archaeologists to share their insights into the use of digital media in their areas of study. Judging from the resulting book, this must have been a stimulating and fruitful occasion.
Gutenberg-e’s Digital Gumption
Second only to movable type, as far as libraries are concerned, is the emancipation of journals from their printed-texts. Gone, or nearly so, are those titles irregularly delivered, with their maddeningly unanticipated supplements, infernal name changes and gargantuan space requirements, in lieu of their let-freedom-ring electronic environments.
Most famously, Aristotle declared that men are by nature political. It’s chancy, of course, to take on the genius of Stagirus, but he did manage to get it wrong once in a very long while (oh, to be so wrong so infrequently!). Chaucer, however, may have had it more accurately (and certainly did so as he anticipated our digital age) when he argued that men by nature ‘love newfangledness’.
The bard, of course, was on to something when he posed this now proverbial line. A rose is a rose no matter what you call it – unless of course it’s a turnip – well, you get my drift. The principle is a sound one, but try to get that across to the men on fifth in Marketing.
Small and Special is the database of the historic admission records for the Great Ormond Street Hospital for Sick Children.
The Grand Tour was ‘a phenomenon which shaped the creative and intellectual sensibilities of some of the eighteenth century’s greatest artists, writers and thinkers’. So reads the opening paragraph of Adam Matthew Digital’s new website, The Grand Tour. It is a substantial claim to make, but a fair one.