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‘Do you recollect the date’, said Mr. Dick, looking earnestly at me, and taking up his pen to note it down, ‘when King Charles the First had his head cut off’?(1)
Although the Electorate of Saxony was one of the most influential Protestant territories in the Holy Roman Empire, it has received little attention from English scholars.
Britain in Revolution is a huge book in every sense, the distillation of a lifetime’s-worth of teaching, researching and writing, resulting in a large, sweeping narrative account of a very high standard.
The arrival of this new synthesis provides an occasion for Elizabethan military historians to reflect how far this field has come in the past twenty years, as has the whole field of early modern military history.
There are several novel things about this book that make it worth reading. The first one relates to the author. Unlike most other historians of Japan, who come from the areas of Japanese or East Asian studies, the author of this book arrives from an unexpected field. L. M.
This book addresses a number of live issues in early modern historiography: the ‘New British History’, emphasising those nations and regions beyond the English heartlands; post-Eltonian revisionism, which questions the thesis of a centralising revolution in Tudor government; and the new cultural history, which uses a wide range of cultural artefacts – ‘texts’ – to explore polit
This study sets itself the task of restoring ‘the tarnished reputation that Henry VIII’s bishops have earned from contemporaries and historians alike’.(p. 7) From Francis Bacon, through David Hume, and into the twentieth century, historians have condemned the occupants of Henry’s episcopal bench as mediocrities and time-servers.
Professor Robert Bireley SJ in his study The Jesuits and the Thirty Years War: Kings, Courts, and Confessors proposes to answer three closely interrelated questions.
Ottoman histories – better put: histories of the Ottoman state – have some right to be regarded in a pseudo-Braudelian sense as une historiographie du longue durée.
The cover is a view from Stirling Castle: in the foreground a carved lion rampant, in the background the Wallace Tower, the Scottish national monument, raised by public subscription in 1859; in the valley below, Stirling Bridge somewhere near the site of William Wallace's victory over the forces of Edward I in 1297; just out of the picture, the field of Bannockburn.