The guiding thesis of Angus Hawkins’s Victorian Political Culture: ‘Habits of Heart & Mind’, is the beguilingly simple one that Victorian political values rested on the Shibboleths of history, morality and community, and that the differing political outlooks of radicals, Liberals, Conservatives and even socialists throughout the century can be traced back to their very different in
Over the past 30 years a growing body of scholarship has sought to analyse the visual and material dimensions of British politics in the 18th and 19th centuries.
Few authors are as well qualified as Paul Rouse to attempt this ambitious undertaking, the first scholarly overview of the history of sport in Ireland during the last millennium.
Benjamin Franklin in London is a narrative biography of the American ‘founding father’ Benjamin Franklin. As the title suggests, the book substantively concentrates on Franklin in London between 1757 and 1775. During this time, Franklin was an agent advocating colonial interests in Parliament.
The field of queenship is continually expanding and drawing attention from scholars. Over the years, and especially through the Queenship and Power series at Palgrave Macmillan, a notable number of studies have emerged highlighting the importance of queens as consorts, regnants, and regents during the early modern period.
In the last year several books appeared focused on the United States in the world that seek to combine a study of intellectual history, popular culture and politics in a long breath of the 19th century.
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
Research on immigration to Britain at the turn of the 20th century largely conforms to historiographical conventions which privilege the nation state as a framework for investigation and which adhere to narrative chronologies relevant to nations. These conventions, Ewence contends, eclipse much from view which does not easily fit into such established categories.
Danger, disaster and the loss of life are emblematic features of Britain’s cultural memory of coal mining. Netflix’s hit series, The Crown, prominently reinforced these motifs through its recent portrayal of the 1966 Aberfan disaster in South Wales.