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The parliamentary papers of the UK are one of the most important sources for the history of the UK and its former colonies in the 18th and 19th centuries, in their original form a series of thousands of printed reports.
I was recently in a conversation with a friend who told us that his parents, who were communists in New Zealand, used to make him sit through slide shows on China in the 1970s. Young Philip was subjected to these presentations because China was, his parents told him, the closest place to utopia on this earth.
Although most Americans take pride in being ‘a nation of immigrants’ (a slogan apparently popularized by John F. Kennedy), the process of immigration causes perennial controversy in the United States. That is true even in New York City, which would not exist without it, and which stars in many historical narratives of it.
About 40 years ago, the field of US intellectual history entered a period of self-doubt about the rigor of its methods, about the narrowness of its archive and its interests, even about the ontological gravity of the subjects it treated.
Paradigm shifts in historiography seem to come all at once rather than being spaced evenly along the disciplinary trajectory. The last such shift in writing about slavery and race (including civil rights) in the United States came between the late 1950s and the mid-1970s.
Civil war plagues our times. As David Armitage notes in his brilliant work, Civil Wars: A History in Ideas, the idea of the ‘Long Peace’ after the Second World War is in many ways misleading as intrastate conflict has become far more common than in previous centuries.
Media, with alarming regularity, reports nuclear threats from North Korea and President Trump’s rhetorical belligerency; Russian and Chinese irredentism conflicts in the Middle East and Afghanistan, across the Sahel region of Africa and Yemen; not to forget the asymmentry of terrorism. Is there any consolation to be had in philosophy for the cultural phenomenon of war?
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
This book was commissioned by the Bank of England, when Mervyn (now Lord) King was Governor. The aim was to produce a popular history of the Bank, an institution important in Britain since its inception. If it was intended to be a popular volume, the kind that flies off the shelves in bookshops, I hope that I’m right when I say it will not.