When historians of the future come to write about the historiographical preoccupations of 21st-century Britons, they surely will observe our growing obsession with consumer behaviour and material culture.
The ‘shock city’ of the 18th century , London was always interesting to onlookers, but between 1763 and 1776 it was particularly interesting. It was the capital city of one of the most successful Great Powers, one that had just emerged the winner in the war with France.
The title of Susan Whyman’s The Pen and the People: English Letter Writers 1660-1800 suggests two potentialities at once: The Pen and the People indicates a comprehensive study of popular letters and letter-writing practices during the long 18th century (1660–1800); yet the subtitle, English Letter Writers, implies focused and discrete analyses of specific letter
In 1886 the Glasgow Prayer Union (GPU) remembered in their customary prayers a woman across whom one of its ‘ladies’ had come. She had been ‘found lying very drunk near Cattle Market with young infant’. Concerned for the infant’s life, the unnamed philanthropist (not a word Smitley uses) takes the child to the nearby police station, ‘where the woman was also taken’ (p. 44).
If the debut of the Illustrated London News (ILN) in May 1842 signalled ‘a revolution in journalism and news reporting’, as the introduction to this remarkable on-line collection contends, there can be little doubt that an equally revolutionary transformation has occurred over the c
The centrality of Punch to the study of Victorian politics and culture is well-established.
With edits by the editors Chris Cotton, Peter White and Stephen Brooks.
Metropolitan underworlds, where the illicit and illegal rub up against the grime and extreme poverty of those at the bottom of society, have always fascinated contemporaries and later audiences. This is particularly true of the Victorian underworld in London.
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories: