History on this scale is a daunting task, not just for the breadth of scholarship it requires but also because it lays before the author the powerful temptations of platitude and over-generalization. Geoffrey Hosking, as he has amply shown elsewhere, is a historian who can draw a big picture without losing his curiosity, his feel for detail, or his capacity for concise but penetrating summary.
There are several novel things about this book that make it worth reading. The first one relates to the author. Unlike most other historians of Japan, who come from the areas of Japanese or East Asian studies, the author of this book arrives from an unexpected field. L. M.
What is a ‘Companion’ for?
There can surely have been few other books in Asian Studies and certainly not in South East Asian Studies in recent years that have been as widely anticipated as James C. Scott’s The Art of Not Being Governed: An Anarchist History of Southeast Asia (Yale University Press, 2009).
In Kimono: A Modern History, textile historian Terry Satsuki Milhaupt encourages her readers to ‘reflect deeply and broadly on what the kimono has meant at various points in its long history’ (p. 287). In this ambitious project, she identifies ‘modern’ with the period from the 1850s onwards.
Asian American studies in which the ‘American’ refers to Latin America have seen a considerable growth in recent years.