The general outline for this project, when the call for papers first appeared in June 2013, requested contributions for essays on the entertainments and popular culture of the First World War, offering a lot of promise for the study of humour in an historical context, which has, it would seem, only recently become of interest to cultural historians.(1) As a self-procla
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
Early in 2015, journalists reporting on US Democratic presidential candidate Bernie Sanders produced a potentially valuable nugget of opposition research: in 1985, Sanders visited Nicaragua as part of a delegation of US solidarity groups that was given a personal audience with Sandinista president Daniel Ortega.(1) In his first political memoir, published with Verso Bo
Sonya Rose’s initial interest in national identity was sparked by the patriotic fervor that burst forth following the declaration of the first Iraq War (1990–1). ‘I wondered at how easily patriotic sentiment and the sense of belonging to a nation under threat – even if that threat was so far away – could be aroused’ (p. 285).
Lesley Milne’s Laughter and War: Humorous-Satirical Magazines in Britain, France, Germany and Russia 1914–1918, offers a well written overview of the humour of four nations during the Great War, and in turn, four satirical magazines that provoked laughter in these combatant countries.
In Understanding the Imaginary War: Culture, Thought and Nuclear Conflict, 1945–90, Matthew Grant and Benjamin Ziemann present a collection of essays offering a new interpretation of the Cold War as an ‘imaginary war’.
The BBC began broadcasting television programmes from its own studios in 1932 and launched a regular TV service in 1936, only to shut it down when, three years later, Great Britain declared war on Germany. Edward Stourton’s Auntie’s War: The BBC during the Second World War is therefore about radio, and in particular the tug of war within the corporation between 1939 and 1945.
There are few historical events with a cultural legacy as enduring as that connected to the Second World War. The conflict occupies an important place within many personal, as well as national, narratives. Those interested in its history and heritage are confronted by an enormous range of writing, on a wide variety of themes.
Historically, wars have always witnessed reports of ghostly sightings and visions. However, the First World War is of particular interest as such phenomena occurred in a more modern, secular environment, at a time when science and secularisation had emerged as predominant ways of thinking about the world. In addition, the number of lives being lost due to conflict was unprecedented.
A Guide to the History of the Salient