In a memorandum for the Committee of Imperial Defence dated 10 July 1920 Harold Nicolson, whose family connection with these matters dated back to the time when his father Lord Carnock entered the Foreign Office, namely 1870, wrote:
For a very long time, writers have sneered at the suburbs. They have looked down on suburbanites for being materialistic, unimaginative, and boring. They have complained about the social and physical monotony of the suburban scene while deploring its individualism and lack of community.
This book sets out to give an account of what the foundation of The Royal Academy of Arts in 1768 meant for artistic practice in particular and cultural life more generally in Britain between 1760 and 1840. It is to be welcomed, because it fills a gap, and fills it well. The history of art institutions in Britain attracts sporadic attention.
The 1990s in Ireland witnessed intense popular and academic interest in the events of two centuries before, culminating with the bicentennial commemorations of the United Irish Rebellion of 1798.
Elizabeth Freke has the distinction among my autobiographical acquaintance of being the memoirist I would least like to meet. This is not because she was toothless, lame, blind and probably bald and, as she said in 1711, 'a diseased criple with a rhumatisme and tisick confined to a chair for this eighteen months past' (p.158).
‘It is time to effect a revolution in female manners’ declared the Vindication of the Rights of Woman in 1792 ‘– time to restore to them their lost dignity – and make them, as a part of the human species, labour by reforming themselves to reform the world’.(1) Mary Wollstonecraft’s legacy, which had such important ramifications for the wa
Eighteenth Century Collections Online (ECCO) is an immensely ambitious undertaking: over 150,000 texts in an online searchable database.
Public Lives: Women, Family and Society in Victorian Britain by Eleanor Gordon and Gwyneth Nair is a meticulously researched study of the lives of middle-class families in Glasgow. In particular, they focus upon the residents of twelve streets drawn from the Claremont/Woodside/Woodlands estates, situated west of the city centre.
It is curious that it should have taken imperial proconsul Lord Cromer (1841–1917, Evelyn Baring until 1892) nearly a century to find a scholarly biographer worthy of his centrality to British, imperial and Egyptian history in the Victorian-Edwardian age.
Laura E. Nym Mayhall begins her book by re-telling the familiar story of the arrest in 1909 of Marion Wallace Dunlop, a member of the Women’s Social and Political Union (WSPU), which led to her imprisonment and notoriety as the ‘first hunger striker’. In doing so, she focuses on the action that led to the arrest.