If one looks today at a satellite image of Manama (1), the capital city of Bahrain, the picture of the extended urban conurbation which covers both the north of the main island and the little island which faces it (Muharraq, the former capital of the emirate in the 19th century) is rather different from the ‘Islands of Paradise’ featured in the Sumerian Gilgamesh epic
What is a ‘Companion’ for?
At the height of summer in August 1996, The New Republic featured a front cover that depicted a young African American woman smoking a cigarette while feeding her baby. The words ‘Day of Reckoning’ were emblazoned in bold letters across the image, and the exhortation by the editors to ‘Sign the Welfare Bill Now’ was prominently placed underneath the photograph.
The history of nakedness deserves a serious history. For organised nudism or ‘naturism’ was a conscious movement initiated by Europeans at the end of the 19th century that has exerted a significant influence over society and politics in the wider world. This book is not that serious academic history. In one respect its aim is much more ambitious.
In 1886 the Glasgow Prayer Union (GPU) remembered in their customary prayers a woman across whom one of its ‘ladies’ had come. She had been ‘found lying very drunk near Cattle Market with young infant’. Concerned for the infant’s life, the unnamed philanthropist (not a word Smitley uses) takes the child to the nearby police station, ‘where the woman was also taken’ (p. 44).
With edits by the editors Chris Cotton, Peter White and Stephen Brooks.
Wasteland with Words is a very welcome addition to the small number of academic books about Iceland’s modern history available in English. The few other works on modern Icelandic history are largely written in Icelandic for local consumption.
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories: