Matthew Seligmann's Spies in Uniform is an attempt to understand more fully the bases of British decision-making and policy from 1900–1914 in the light of a full investigation of the reports and work of the naval and military attachés in Germany.
Although the First World War ended almost ninety years ago, it has become a truism to note that the echoes of that conflict continue to resound in Western culture.
The 1715 rebellion has never really sparkled in the heroic iconography of the Jacobite cause. Within the old received narrative of doomed chivalry and defeated virtue, it inhabits a melancholic role, untouched by the colour and charisma of Charles Edward Stuart and the ’45, or the epic afterglow of Viscount Dundee’s earlier stand at Killecrankie.
I have always enjoyed reading Andrew Hopper's work. It is an especial pleasure when compiling my reviews for the Annual Bulletin of Historical Literature as in most years it contains an article by Hopper (usually on the subject of the north during the civil wars).
The central thesis of T. G. Otte's meticulously researched new study of British foreign policy is that the Sino-Japanese War of 1894-5 produced the 'China Question' and with it, the problem of Great Britain's 'international isolation'.
This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
This is a book whose coverage is not confined to its title. That is, it tells us about more than just the naval aspect of 1915’s attack on Gallipoli.
The First World War Poetry Digital Archive was launched in late 2008. The site comprises a substantially revamped version of what was previously the Wilfred Owen archive and includes Oxford University’s virtual seminars for teaching literature online series.
Katie Stevenson, in her Chivalry and Knighthood in Scotland, 1424–1513, presents a thorough, scholarly, and informative research monograph. The years 1424 to 1513 carry one from the return to his kingdom of James I, after the long detention in England following his capture as a boy of twelve in 1406, to the death of James IV at Flodden.
Brian Bond’s newest book presents an analysis of Western Front memoirs written by British and Commonwealth authors, acting as an analogous volume to The Unquiet Western Front: Britain’s Role in Literature and History.(1) The study is organised into a series of essays discussing individual authors, which are in turn complemented by comparative thematic chapters