Research into the origins of the First World War, like the work undertaken on most controversial historical topics, is subject, at least to some extent, to the dictates of scholarly fashion. Thus, it was that, not so long ago, much of the writing on this issue focused on the cultural factors that, it is said, predisposed the people of Europe to rush headfirst towards the precipice.
In reviewing Mark Cornwall's monumental study of 'front propaganda by and against the Habsburg Monarchy in the First World War, I feel I ought to register a certain personal interest.
The publication of H.M. Scott’s The Rise of the Eastern Powers marks the culmination of three decades of distinguished scholarship in international history from the Seven Years War to the American Revolution. It is, as we might expect, an elegant and learned book, and its significance is apparent from the outset.
This work complements the author’s previous study on the longer-term origins of the French Revolution (1), and like that text, makes a forceful case for Stone’s ‘global-historical’ conception (what was an ‘interpretation’ in the earlier text becoming a ‘perspective’ in this.) That con
George III, as G. M. Ditchfield readily acknowledges in his authorial preface, has hardly been ignored by historians.
On the cover of the book is a photograph of the Jefferson Memorial in Washington, DC, taken by Robert Y. Kaufman. Here, Thomas Jefferson stands silent and stoic, silhouetted against an orange fading sky, and flanked, perhaps even incarcerated, by the appropriately neo-classical columns of the Memorial.
In this book Georgios Varouxakis analyses the Victorian perceptions and representations of France and the French by intellectuals or, more precisely, ‘public moralists’. John Stuart Mill, Matthew Arnold and Walter Bagehot provide the major textual sources, supplemented by a handful of lesser-known authors.
This substantial volume is about more and less than the title indicates. Jill Harsin, known to specialists of nineteenth-century France for her earlier book, Policing Prostitution in Nineteenth-Century France (Princeton University Press; Princeton, 1985) has here produced a detailed narrative of the role of Paris artisans in revolution and popular unrest between 1830 and 1848.
Philip Salmon took on an ambitious project when he began his study of parliamentary reform and the electoral system. He looked at how the Reform Act of 1832 affected 'the business of obtaining the vote' (p.
Not so long ago, Peter the Great was commonly portrayed by historians on both sides of the Iron Curtain as a proto-Homo Sovieticus: an icon of muscular masculinity, giant in both frame and achievement. According to this tradition, it was Peter's distinctive genius to drag a backward and xenophobic Muscovy, kicking and screaming, into the rational modern world.