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Jim Bolton is a much respected and well liked figure in London academic circles, who took up a post at Queen Mary College (as it was then called) in 1965 and has remained there ever since, despite his official retirement in 1994. He works on the medieval economy, and kept the subject alive during episodes when specialists in that subject were in short supply in the University of London.
The 13 essays in this book are the outcome of a conference (with the addition of a few other papers) held at Winchester University in September 2011.
On the 18th of June, 1556, Mr Francesco, a second-hand goods dealer with a shop near the clock tower in Piazza San Marco, borrowed two Greek manuscripts from the collection that would later become the heart of Venice’s famous Marciana library: Proclus on Platonic Theology, and The Commentary of Hierocles on the Golden Verses of Pythagoras.
The medieval English parish was a fiendishly complex organism, whose intricacies become increasingly brain-frazzling as their microscopic analysis advances.
In this masterful monograph, Alice Rio revisits one of the central questions in the historiography of early medieval Western Europe: how did the transition from slavery to serfdom take place?
It is the title which gives away a great deal about this very fine book, and should alert us to Tom Lambert’s ambition for this project, which has grown out of a University of Durham PhD thesis. ‘Law’ positions it as a work of legal history, but it is the component of ‘order’ which offers the second and bolder half of Lambert’s argument.
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
Empires throughout world history have more often than not seen themselves as part of some cosmic grand narrative, set on earth to enact the will of the god or gods, spiritual or secular, they claim to serve. The Carolingian Empire was no exception.
Historians are good at putting objects in their place. Details about context, manufacture, use, abuse, meaning, significance, decay, and so on are layered so that an object itself becomes a carrier of its moment in history. Putting material back into the fabric of history itself enriches that history.
‘In me,’ wrote Bishop Thietmar of Merseburg in the early 11th century: