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Since the 1970s historians have been redressing the longstanding omission of women from virtually all types of history. We now know much more about women’s experiences in the past, both in their own right and as contributors to larger historical events, than had previously been the case.
In recent decades, the fields of women's and gender studies have rapidly expanded. In trying to understand women's roles in past societies, historians have paid particular attention to issues surrounding marriage, family, and the household.
Working Women in English Society offers a fascinating insight into the numerous ways in which women engaged with the market economy in England between 1300 and 1620.
This study connects the experience of domestic abuse to the historical development of family life from the Restoration until the passage of the Divorce Act 1857.
In Thomas Cannon’s 1749 pamphlet Ancient and Modern Pederasty Investigated and Exemplify’d, the author recounts a chance meeting with a ‘too polish’d Pederast’ who, ‘attack’d upon the Head, that his Desire was unnatural, thus wrestled in Argument; Unnatural Desire is a Contradiction in Terms; downright Nonsense.
Johanna Rickman remarks that her book resulted from an apparently simple question: 'What happened to noblemen and noblewomen who engaged in extramarital sexual relationships?' (p. 1). She rightly insists that the answers shed light on the interactions of social status and gender, the role of the monarch, and relationships within and between elite kinship networks.
In his new study of Anne Boleyn, George Bernard at no point defines the ‘fatal attractions’ to which his title refers. There is not even an assurance that no rabbits were harmed in the making of the book. Perhaps the title is deliberately polysemous, for we might think of at least six fatal, or metaphorically fatal, attractions exercised by the queen.
In The Origin of the Family, Private Property and the State (1884), Friedrich Engels posited a fundamental relationship between women’s property rights, on the one hand, and changes in the social and political spheres, on the other.
What was killing the girls of the Casa della Pietà? This is the question which recurs throughout Nicholas Terpstra’s study of the Pietà, a Florentine charitable shelter for orphaned and abandoned girls. According to Terpstra, the Pietà was ‘the most unsafe place in Florence for a girl to live’ (p.
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories: