At its most basic level, a market is a locus of exchange, which enables people who need or desire certain things that they themselves do not produce to acquire these goods from others.
Among the features of life that we expect to encounter in historical analyses of the first five or six decades of the 19th century in Ireland is a violent society.
The legal act of defining the ‘employee’ is about drawing lines. Those boundaries are often artificial, legally structured, and forged in an array of contests over power, ideology, and economics. They may be artificial, but they are powerful, demarcating who is in and who is out, who is us and who is them.
Ryan Gingeras' book Heroin, Organized Crime and the Making of Modern Turkey provides an original contribution to the history of modern Turkey, particularly regarding the question of continuity and rupture from the late Ottoman period to the Republic, by taking the country's opium production, security service and criminal underworld as its focus.
Desan’s fascinating book approaches the only seemingly obvious act of ‘making money’ by examining what it actually means to ‘make money’. While Desan does acknowledge the physical act involved in this process, such as the striking of coins and the printing of bills, her primary focus is to study what gave money value and validated it as a reliable medium of egalitarian exchange.
In this masterful monograph, Alice Rio revisits one of the central questions in the historiography of early medieval Western Europe: how did the transition from slavery to serfdom take place?
The Festschrift, usually a gathering of articles composed to honour a scholar on his or her retirement, or to mark a significant anniversary, originated around the beginning of the 20th century, and has become an acknowledged feature of the academic landscape, albeit one rather irregular in its occurrence. Continental Festschriften have sometimes run to several volumes.
Hannah Barker’s book is a thorough and engaging evaluation of late medieval slave trading practices in the Mediterranean. The tile is taken from the 15th-century recollection and denunciation of an Alexandrian slave market by Felix Fabri, a German friar (p. 209).