I do not know whether the Italian title of this book (Vita di casa) is an allusion to Mario Praz and his autobiography La casa della vita (Milan, 1958), but it would be fitting. In that book Mario Praz guides the reader through his Roman house and tells his life during the tour.
Every picture tells a story. The story told by posed portraits of the family is one of change over time; family groups look different at different times. Thus the Victorian middle-class family is typically photographed in an indoor ‘domestic’ setting, its members unsmiling, connected to each other by the touch of a hand on a shoulder.
In the introduction to her long-awaited and extremely interesting study of the popular literature of Victorian interior decoration, Judith Neiswander prepares her readers – and perhaps to a certain extent herself – for their predicted negative reactions to the décor of the late 19th-century middle class home.