Law and Politics in British Colonial Thought, as its titles implies, covers a vast area of historical interest. While the editors do not call their collection systematic, they do hope to present new ways of thinking to a wide audience; a task in which they succeed, both in terms of approaching localised issues and addressing overarching theoretical and geographical frameworks.
Katherine Luongo introduces her monograph Witchcraft and Colonial Rule in Kenya by discussing the ‘Wabenda trials’ in Elspeth Huxley’s novel Murder at Government House. Set in an imaginary East African colony, the story centered on a woman killed for alleged witchcraft practices.
This book uses the story of one family and its legal battles to uncover relationships between religion, race, gender, identity, and personal law in south India in the first half of the 19th century. Matthew Abrahams was an Indian Roman Catholic of lowly background but increasing wealth.
Histories of the fate of the Ottoman Armenians have long, and understandably, been dominated by two themes. Firstly, the quest for ‘proof’ of the genocidal intent behind the treatment of the Armenians in 1915.
Lauren Benton and Lisa Ford’s jointly-written book is slim in size – 197 pages of text, 74 of notes – but expansive in scope and interpretative ambition. It is a dense, complex piece of history, frequently operating on several levels at once.
Americans cherish the ‘American dream’ – the notion that anyone can achieve financial success and happiness in the United States. This idea is based on an assumption of economic equality and freedom within the United States’ capitalist market.
The main aim of Nabors’ book corresponds directly to one of the greatest ambitions of any scholar of American history: that of defining the original meaning and nature of the American republicanism. Despite the number of contemporary scholars who have dwelled upon this subject over the 240 years of American federalism, the debate over the concept of American republicanism is yet ongoing.
People down on their luck fleeing to the colonies on the first available ship is a mainstay of 19th century fiction. It was a convenient way for an author to either get rid of an unnecessary character, or to bring a surprise new person into the narrative mix with dramatic effect.