Paul Preston is a renowned historian, and is considered one of the world’s leading experts on 20th-century Spanish history. His book on the genocidal actions taken against Spanish civilians between 1936 and 1945 is an important resource that has changed historiography on the period.
A new book has entered international debates on German soldiers and war crimes with a vengeance: Soldaten, heralded by the German political magazine Der Spiegel (as the dust jacket states) as ‘nothing short of a sensation … The myth that the Nazi-era German armed forces [were] not involved in war crimes persisted for decades after the war.
When comparing European agriculture in the early 1960s with that existing before the First World War, two principal differences are evident. Firstly, the productivity of agriculture in the 1960s was considerably higher, principally as the consequence of the intensive use of modern technologies such as modern machinery, fertilisers, pesticides or hybrid seeds.
‘It is astonishing’, states Panikos Panayi in the opening sentence of his monograph, ‘that almost a century after the outbreak of the First World War, no academic study has yet appeared upon the experiences of German prisoners of war in Britain’ (p. 1).
This is a very personal book, first published in Polish in 2006. The author, Aleksandra Ziolkowska-Boehm, tells the story of Cezaria Ilyin Szymańska, a personal friend who participated in the Warsaw Rising of 1944. Kaia is the name under which the heroine is known to her friends.
Chris Pearson’s Mobilizing Nature: The Environmental History of War and Militarization in Modern France is a recent offering from the ever-growing subfield of environmental history that is focusing on the relationship between militaries, war and environment.
Timing counts for so much in publishing and that is never clearer than when a major anniversary approaches. With the centenary of the First World War not yet actually upon us, there has already been a rush of publications. Meanwhile, just as many of the grandest television and radio programmes promised by the BBC have already been aired. Do we know anything we did not know a year or two ago?
While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
The study of war and memory has been popular amongst cultural historians for over two decades, yet scholarly interest in the subject shows no sign of abating. Indeed, as this collection demonstrates, memory remains a fruitful area of research, particularly if approached from a comparative perspective.