Matthew Seligmann's Spies in Uniform is an attempt to understand more fully the bases of British decision-making and policy from 1900–1914 in the light of a full investigation of the reports and work of the naval and military attachés in Germany.
Although the First World War ended almost ninety years ago, it has become a truism to note that the echoes of that conflict continue to resound in Western culture.
In From World War to Cold War: Churchill, Roosevelt, and the International History of the 1940s, David Reynolds seeks to bring a sense of contingency to existing considerations of the 1940s, ‘the most dramatic and decisive decade of the twentieth century’ (p. 1). As Reynolds reminds us, neither World War II nor the Cold War was inevitable.
The central thesis of T. G. Otte's meticulously researched new study of British foreign policy is that the Sino-Japanese War of 1894-5 produced the 'China Question' and with it, the problem of Great Britain's 'international isolation'.
This is a book whose coverage is not confined to its title. That is, it tells us about more than just the naval aspect of 1915’s attack on Gallipoli.
Back at the end of the 1980s, when I was a lowly teaching assistant at the Pennsylvania State University, I had the good fortune to work on an undergraduate course on the Vietnam War directed by the great Vietnam scholar William Duiker. Duiker’s course was very popular.
In 1990, immediately after UN Security Council Resolution 678 provided authorisation for the use of force to expel the Iraqi military from Kuwait President George H. W. Bush said in a news conference:
The First World War Poetry Digital Archive was launched in late 2008. The site comprises a substantially revamped version of what was previously the Wilfred Owen archive and includes Oxford University’s virtual seminars for teaching literature online series.
I think I would like Gerald Shenk but I am not certain that I agree with him. I like the fact that he does not make any secret of where his allegiances lie.
Brian Bond’s newest book presents an analysis of Western Front memoirs written by British and Commonwealth authors, acting as an analogous volume to The Unquiet Western Front: Britain’s Role in Literature and History.(1) The study is organised into a series of essays discussing individual authors, which are in turn complemented by comparative thematic chapters