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In 1977 – fifteen years after his death – a spat about the merits of the work of R. H. Tawney broke out in the letters pages of the Times Literary Supplement. The catalyst was a feature called ‘Reputations revisited’, in which contributors were asked to nominate their most overrated and underrated books and/or authors of the past 75 years.
Today, a half-century after his death, Winston Churchill stands like a colossus over the political, diplomatic and military history of the 20th century, and of its most terrible armed conflict, the Second World War. The already voluminous number of historical studies devoted to him and his career continues to grow, and amounts to a full-blown industry – never mind the ‘cottage’ part.
In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Lady Antonia Fraser about her work as a historian and biographer.
Lady Anonia Fraser is British author of history, novels, biographies and detective fiction.
Daniel Snowman is a writer, lecturer and broadcaster on social and cultural history.
For all historians of this last, most violent, century some concern with matters of war and peace has been unavoidable.
The commemorations for the 100th anniversary of the 1916 Easter Rising in the Republic of Ireland have thrown the issue of nationalism and independence into sharp relief once again.
Sonya Rose’s initial interest in national identity was sparked by the patriotic fervor that burst forth following the declaration of the first Iraq War (1990–1). ‘I wondered at how easily patriotic sentiment and the sense of belonging to a nation under threat – even if that threat was so far away – could be aroused’ (p. 285).
In what was presumably a formative period for Stefan Collini (born in 1947) in the late 1960s, Perry Anderson published a powerful diatribe against English letters for its imperviousness to the great sweep of 20th-century social thought from Marx through Weber, Durkheim and Pareto onwards.(1) Historians were indentured to facts and sources and an impossible ideal of ac
So often, intellectual history is about inheritances. Historians study what is passed down from one age to the next. This has often led to the problem that we tend to focus on what is more familiar, engaging, or at least recognisable, and leads us to ask: why study that which has not left an inheritance?
Hardly had the fighting petered out on the Somme in November 1916 than one American reviewer, W. S. Rusk, was warning scholars that much writing about the Great War would be lost to the ‘winnowing flail of time’.(1)
In Room 145 of the Ceramics Galleries of the Victoria & Albert Museum, at the top of case 50, you can see an ‘architectural fragment’, which, according to its label, ‘once ornamented a palace in Yuanmingyuan or “garden of perfect clarity”’.