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I received the invitation to review this book during the same week – 16-20 November 2009 – that over 1,000 emails to and from climate scientists in the Climatic Research Unit at my university found their way into the public domain.
Most of us who have tried to write of time and place on a large scale resort to a broad framework of ideas, punctuated by an example or two from the literature or even from our own experience. As in his first edition, Donald Hughes does it differently: a series of footprints rather than a superhighway, as he puts it.
For readers like this reviewer, who do not read Germany fluently, the translation of Joachim Radkau’s Nature and Power: A Global History of the Environment is a major event. This is probably the best available overview of the changing human relationship with the biosphere: a subject whose historiographical and political significance is becoming more and more evident.
The history of nakedness deserves a serious history. For organised nudism or ‘naturism’ was a conscious movement initiated by Europeans at the end of the 19th century that has exerted a significant influence over society and politics in the wider world. This book is not that serious academic history. In one respect its aim is much more ambitious.
The concept of contagion is entangled with so many themes in the history of medicine that any on-line collection on the subject can hardly fail to generate interest among the scholarly community. Harvard University’s Contagion: Historical Views of Disease and Epidemics does not disappoint.
The New Imperial Histories Reader is part of a series of history readers aimed at the undergraduate/ postgraduate market that have been published by Routledge over the past decade.
In 2001, Frederick Cooper wrote that ‘globalization talk is influential – and deeply misleading – for assuming coherence and direction instead of probing causes and processes’.(1) Burbank and Cooper heed this warning and focus very clearly and ably on the causes and processes of global empire building in this new book.
This book was launched with great fanfare, a high number of editorial reviews from prominent academics, interviews, invited talks, web commentaries, and reviews in the mainstream media, including the Guardian, New Statesman, New York Times, The Scotsman, Economist, and Foreign Affairs.
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories:
The writing of history – any history – is shaped by the intellectual environment in which it is written, and by the preoccupations of its writers. As Christopher Tyerman acknowledges in his prefatory remarks, ‘writing history is not a neutral revelation but a malleable, personal, contingent, cultural activity’ (p. xi).