Admiral Eduard Baltin, wrestling in mid-1997 with the consequences of the division of the ex-Soviet navy between Ukraine and the Russian Federation, took a moment to reflect on the creator of the imperial Russian Black Sea fleet: "a loose woman and non-Russian, Empress Catherine the Great was a greater Russian patriot than today's rulers of Russia.
This book aims to explore manifestations of messianic ideas in Russian intellectual thought and to consider their impact on state policies and their popular resonance. Peter Duncan defines messianism as 'the proposition or belief that a given group is in some way chosen for a purpose.
There are several novel things about this book that make it worth reading. The first one relates to the author. Unlike most other historians of Japan, who come from the areas of Japanese or East Asian studies, the author of this book arrives from an unexpected field. L. M.
This book is an overview of Russian conservative ideology from roughly 1500 to the First World War. Richard Pipes, the now Emeritus Baird Professor of History at Harvard, has written or edited more than twenty books on Russian history, and his latest work is in many ways a summary of his conclusions about why Russia developed differently from the countries of Western Europe.
What is a ‘Companion’ for?
There can surely have been few other books in Asian Studies and certainly not in South East Asian Studies in recent years that have been as widely anticipated as James C. Scott’s The Art of Not Being Governed: An Anarchist History of Southeast Asia (Yale University Press, 2009).
Since the late 19th century Japan has been in a constant state of geographical flux that shows no sign of abating even today.
The comparative history of empires has become a very popular subject in recent years, provoking interesting debates on the origins of the globalization process and on the future of post-Cold War international relations.(1) The focus on empires has also provided a constructive way to reassess the role of Europe in world history, going beyond the traditional great narrat
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.