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Brave New World is the latest in a sequence of reflections on the historiography of Britain between the two world wars and the directions future research might go in.
In recent years, historians have begun to explore the political experiences of Victorian women outside the well-trodden suffrage narrative. As a consequence, we have a far greater understanding of how certain women were able to negotiate, exploit and overcome the legal and ideological constraints society placed upon them.
When you walk in to the Propaganda: Power and Persuasion Exhibition at the British Library you are told that ‘propaganda is used to fight wars and combat disease, build unity and create division’. You then walk through a guard of honour of black mannequins that offer different definitions of the word ‘propaganda’.
On his restoration to the throne in 1660, Charles II faced a tricky balancing act between the impulses of retribution and reconciliation. Although swept back to power on a tide of popular support, it was difficult to pretend that Humpty Dumpty had been made whole again by the return of monarchy.
With contemporary Japanese-Korean relations so inextricably entrenched within contentious politics of national identity and divergent expressions of historical consciousness, Jun Uchida’s Brokers of Empire could not be a more welcome addition to the field of modern East Asian history.
This volume, a collection of essays written by academics based in North America, Britain and Europe, is a good example of how far leisure history has travelled since this historical sub-discipline first gathered momentum in the 1970s.
2013 has been proclaimed the Huygens year in the Netherlands.
Modernity Britain marks the third part of Kynaston’s Tales of a New Jerusalem series. The first volume – Austerity Britain 1945–51 – covered the immediate post-war years of the Attlee government, while its successor, Family Britain 1951–57, took the story up to the end of the Eden administration.
It is a rare thing for a reviewer to read a book which on its own terms, in its content and argument, leaves nothing open to serious criticism. Professor Diarmaid Ferriter’s Ambiguous Republic: Ireland in the 1970s is one such book.
Over the course of a long and distinguished career Donna Merwick has produced one of the most sustained and compelling inquiries into the life and culture of a single colony in colonial American historiography. Her time and place is the 17th-century Dutch colony of New Netherland which she has considered in four books and numerous chapters and articles.