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The work of Mary Carruthers is well known to students of medieval culture. Her Book of Memory charted discussions of memory from antiquity to the late Middle Ages, treading in the footsteps of Frances Yates in arguing that memory was not just another concept in the minds of medieval writers, but a conceptual motor for the organisation and motivation of thought.
This collection of essays edited by Debra Barrett-Graves provides new ways of interpreting the symbolic images through which Renaissance queens shaped their identity and royal authority. In bringing together different approaches and sources, the authors use the methodologies of several disciplines: literature, history, art history and cultural studies.
Demons or cunning priests?
‘The Pythia at Delphi, sitting with her petticoats bunched up and her arse on the Tripod, received her inspiration from below’. Denis Diderot
In his introduction, Matthew Lundin declares that it ‘would perhaps only be slightly hyperbolic to proclaim Hermann Weinsberg the Samuel Pepys of sixteenth-century Germany’ (p. 3). This proclamation does not do full justice to the scope of Lundin’s work.
Kathleen Walker-Meikle’s book is a welcome addition to the increasing volume of research concerned with the roles animals played throughout history. This genuinely multidisciplinary subject has begun recently to attract attention, a sign that the intellectual market for animal-related topics is expanding among historians.
The period of medieval intellectual history covered by this book, primarily the 12th and 13th centuries, is one that has received considerable attention for well over a century. The main question, then, is what does Ian Wei bring to this subject that has not been done before, or how has he reshaped it? The answer is he has done much in both respects.
Emerging from the recent and widespread academic interest in cultural memory, the International Medieval Society of Paris (IMS, Paris) convened a three-day interdisciplinary symposium on Memory in Medieval France in the summer of 2007.
The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy / Ronald G. Witt
Ronald Witt’s new book serves as a prequel to his highly-praised volume, In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni.(1) If the Footsteps volume located the genesis of humanism in the epistolary and literary compositions of late 13th-century Padua (whereby as a consequence the traditional ‘father of humanism,’ Petra
2013 has been proclaimed the Huygens year in the Netherlands.