What is a ‘Companion’ for?
In Kimono: A Modern History, textile historian Terry Satsuki Milhaupt encourages her readers to ‘reflect deeply and broadly on what the kimono has meant at various points in its long history’ (p. 287). In this ambitious project, she identifies ‘modern’ with the period from the 1850s onwards.
The Indo-Persian state secretary has occupied center stage in the emerging discourse on bureaucracy, administration and the political formation of the Mughal state. The status and role of the munshī (the Indo-Persian state secretary) within the Mughal bureaucratic structure in 17th and 18th century have formed the basis of recent historical analysis.
In this history of representations and knowledge formation Sanjay Subrahmanyam turns a historian’s gaze to the problems both implicitly and explicitly embedded in all histories of the early modern and modern world: why did Europeans represent and construct India and by extension, the non-European world in the ways that they did? Why and how did these constructs evolve?
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
Asian American studies in which the ‘American’ refers to Latin America have seen a considerable growth in recent years.