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The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.
Historically, wars have always witnessed reports of ghostly sightings and visions. However, the First World War is of particular interest as such phenomena occurred in a more modern, secular environment, at a time when science and secularisation had emerged as predominant ways of thinking about the world. In addition, the number of lives being lost due to conflict was unprecedented.
It is impossible to understand any human society without exploring its emotional rhythms, from the most dramatic to the most subtle. For too long, historians have ignored this simple truth… Yet in the Middle Ages, emotions were everywhere.
A Guide to the History of the Salient
As a late medievalist who has recently moved to Scotland, I was disappointed to learn that the Burrell Collection in Glasgow – home to the many medieval treasures once owned by the shipping magnate and prolific collector, William Burrell – is closed over the next two years.
Christer Petley’s book takes the life of Simon Taylor, the richest of Jamaica’s ‘planter class’ in an age of revolutions, to reveal broader truths about the British Empire. At its core, this is a biographical study based on Taylor’s extensive surviving correspondence with friends, family, and commercial allies.
‘This book’, writes Jeffrey A. Auerbach in his Introduction to Imperial Boredom, ‘is very much about how people felt’ [his italics]. As such, it takes its place in a growing body of scholarship that explores through individual lives the mind-set that under-pinned the empire project, both individually and on a collective level.
Asian American studies in which the ‘American’ refers to Latin America have seen a considerable growth in recent years.
In her revised PhD thesis, which was written at the George Mason University, Sheila A. Brennan, combining postal history, philately, and memory studies, reconstructs the cultural history of stamp collecting in the U.S. from the end of the Civil War to 1940 and analyzes how this practice has shaped the issuance of commemorative stamps in this period.
The Sacred Home in Renaissance Italy presents itself as an important and innovative book in the panorama of the contemporary historical research of the Renaissance.