Reading and Writing Recipe Books, 1550–1800 includes 11 rigorously documented essays addressing a genre that began to attract attention following Susan Leonardi’s 1989 article, ‘Recipes for reading: Summer pasta, lobster a la Riseholme, and Key Lime Pie’.(1) The editors, Michelle DiMeo and Sarah Pennell, seek to demonstrate how far the study of medical/culinar
The three editors are all senior lecturers at the University of Birmingham in the department of English Literature and the volume is the result of a one day colloquium that was held at Stratford by the department in June 2010 under the auspices of the Centre for Reformation and Early Modern Studies at Birmingham. The intention of the interdisciplinary day was to study the cultural significance
Having illuminated the production of polemical print to great effect in his first monograph, Politicians and Pamphleteers, Dr Peacey addresses its appropriation in his second, Print and Public Politics in the English Revolution.
Whilst first and foremost a literary scholar who focuses on the work of John Milton (1608–74), David Loewenstein has, in recent years, done much to undertake and encourage interdisciplinary research into the religio-political culture of early modern England.
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).
Have pity upon poor Andrew Melville. Once he was a towering figure in Presbyterian Scotland, John Knox’s successor as a leader of men, chastiser of proud monarchy and preacher of the truth. A student at St Andrews at the time of the Scottish Reformation, Melville spent a decade studying and teaching in France and Geneva.
Ephemeral City. Cheap Print and Urban Culture in Renaissance Venice is surely one of the most significant and impressive works on early modern European print culture to have been published in recent years. Its author, Rosa Salzberg, is an Assistant Professor of Italian Renaissance History at the University of Warwick.
The study of fashion is acknowledged to require a composite methodology. Daniel Roche, in his influential The Culture of Clothing: Dress and Fashion in the ‘ancien régime’ (1) put forward five headings under which dress could be interrogated: the artefact, textiles, pictorial representation, social and economic sources, and philological sources.
In a letter of March 1693, the German polymath Gottfried Wilhelm Leibniz confessed to the ineffectiveness of his note-taking, sketching out a situation perhaps too familiar to many modern academics:
These are exciting times in which to be a scholar of the dynamics of religious reformation in mid-17th century England (and in the wider British Isles).