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Deborah Simonton’s Women in European Culture and Society: Gender, Skill and Identity from 1700 purports a ‘straightforward agenda – to explore European women’s relationship to their culture and society since about 1700’ (p. 1).
Over the past generation of scholarship, the history of consumption and material culture has emerged as a rich subfield of European history.
This book is more than just a history of the German-Jewish communities before and during the Holocaust. It is also part memoir, part impassioned response to the National Socialists’ ‘destruction of a civilization’. This breadth, though, should come as no surprise. For the book’s author, the late John Grenville, was himself a Holocaust survivor.
This is an excellent overview of German colonialism, constructed with some skill from the scholarship on the colonies, and shaped also by the wider debate on European colonialism and its legacies. It is the best survey of the subject in English to date, and will be welcomed by students and scholars alike.
No one would deny that Pompeii, the city destroyed by the forces of nature – as when, in the words of the poet Leopardi, ‘an overripe tomato falls on an anthill’ – has attained the status of an archetype, outpacing even Atlantis (whose story must now be explained to the unfamiliar in terms of the fate of Pompeii).
As Jan Rüger suggested in his 2011 review article ‘Revisiting the Anglo-German antagonism’, since 2000 almost every aspect of the history of Anglo-German relations has been reassessed and re-examined as a story not of increasing and inevitable antagonism, but of a much more complex process.
Silence speaks as a visual conceit through the serene icon of Mary Magdalene, chosen to illustrate the dust jacket enfolding Silence: A Christian History, foreshadowing themes in Diarmaid MacCulloch’s magisterial study.
In 1975 Paul Kennedy wrote that ‘yet another survey of the much-traversed field of Anglo-German relations will seem to many historians of modern Europe to border on the realm of superfluity’.(1) Even so, the intervening 37 years has seen no slackening off of the interest of both scholars and the general public in this particular international relationship.
Sasha and Emma is the story of one life-long relationship and the product of another. When the historian of Russian and American anarchism Paul Avrich died in 2006, he left behind a rich body of scholarly work (1) and an unfinished manuscript exploring ‘the passionate half-century friendship between legendary activist Emma Goldman and Alexander Berkman’ (p.
Sweden, I think it fair to say, is a source of considerable interest and intrigue in Britain. Nowhere has this been more evident than in the realm of British politics.