This impressively erudite, well researched, and eloquently written book by Joan Pau Rubiés analyses the development of Iberian and Italian travellers' accounts of south India over three hundred years.
On 25 July 2001 Phoolan Devi was shot dead outside her home. Best known in the west through Shekhar Kapur's 1994 film Bandit Queen, Phoolan Devi's life had been remarkable. Born of low-caste, at the age of 11 she had been exchanged in marriage for a cow. Following beatings by her much older husband, she made her way home, but was regarded as a disgrace by her family.
In a famous essay on the tenacity of the Burckhardtian conception of the Renaissance, Johan Huizinga wrote that '[A]t the sound of the word ‘Renaissance’ the dreamer of past beauty sees purple and gold.' After reading Carole Collier Frick’s engrossing, multi-layered book, Huizinga’s romantic dreamers will have to become far more nuanced in their visual imaginings of the past.
Reflecting the place of the Bible as the bedrock of medieval culture, biblical imagery was ubiquitous in medieval England, yet it has not hitherto been the subject of a comprehensive modern monograph. Such precedents as there were – notably M. R. James’s The Apocalypse in Art (London: British Academy, 1931) and F. Wormald’s ‘Bible Illustration in Medieval Manuscripts’, in G. W. H.
This is an ambitious book, attempting as it does to span the whole of Europe and cover six hundred years of urbanism. It is also ambitious in trying to bridge the conventional divide drawn between the ‘medieval’ and ‘modern’ ages usually placed by historians and archaeologists somewhere between the fourteenth and sixteenth centuries.
The recent publication of two volumes of the Cambridge History of the Book in Britain, covering the period from 1400 to 1695 in just over 1600 pages, indicates something of the way in which the study of the book, or of books, has been transformed in the past few years.(1) The subject has moved from its traditional areas of investigation, the history of
Ottoman histories – better put: histories of the Ottoman state – have some right to be regarded in a pseudo-Braudelian sense as une historiographie du longue durée.
The cover is a view from Stirling Castle: in the foreground a carved lion rampant, in the background the Wallace Tower, the Scottish national monument, raised by public subscription in 1859; in the valley below, Stirling Bridge somewhere near the site of William Wallace's victory over the forces of Edward I in 1297; just out of the picture, the field of Bannockburn.
Gender in History is a timely publication. The field of gender history is reaching maturity in two senses. Firstly, numerous studies have been published about the impact of gender at various times and places. Professor Merry Wiesner-Hanks draws on this wealth of scholarship and her own research to provide a welcome overview of gender in global history from prehistory to date.
One of the most difficult, and under-rated, jobs undertaken by the historian is that of the synthesis. Text books covering long periods of historical time demand the exclusion of vast quantities of material.