This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
Katie Stevenson, in her Chivalry and Knighthood in Scotland, 1424–1513, presents a thorough, scholarly, and informative research monograph. The years 1424 to 1513 carry one from the return to his kingdom of James I, after the long detention in England following his capture as a boy of twelve in 1406, to the death of James IV at Flodden.
A word still a little unfamiliar to some historians (although not to those with a social science background) and not yet to be found in every dictionary, prosopography has made its influence felt through the work of a number of historians, notably Andrew Ayton, the recipient of this collection of essays, whose contribution to the development of the possibilities offered by the method’s techniqu
The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.
This interesting book is about heraldic identity which is ‘undeniably military’ In character and use. Several themes stand out.
Who was the Welsh soldier of the late Middle Ages? What was the world from which he emerged, and for whom, and against whom, did he fight? Can it be claimed that he made a significant contribution to the way wars were fought during this period?