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In recent years, historians have begun to explore the political experiences of Victorian women outside the well-trodden suffrage narrative. As a consequence, we have a far greater understanding of how certain women were able to negotiate, exploit and overcome the legal and ideological constraints society placed upon them.

For much of the late 20th century, the political leaders of the French Revolution were discussed by major historiographical schools as more or less puppets – either, in the Marxian formulation, of class interests, or, in the Furetian, of unchained political discourses.(1) Fortunately for them and us, other historiographical strands have continued to develop in other wa

These are the first two volumes of a new series, Histoire de la France contemporaine. They replace the previous Seuil series, published in the 1970s. As a reflection of the attitudes of current French academic specialists, they are interesting on two levels. Each is a careful synthesis of recent research on the two periods.

The first thing to note about this book is that it is about the American far left’s (that is by what Norwood sees as the American far left after 1920) engagement with Antisemitism and it is not about, or at least not just about, Antisemitism by the American far left.

The last decade has seen a rapid rise of interest in the religious contours of the American Revolution. The reasons for this are diverse. Within the United States, there are continuing debates over the separation of – and, conversely, the relationship between – church and state.

The beginnings of Europe is not a very complicated historical subject. After the end of Roman domination in the fifth century CE, so-called ‘successor states’ grew up in the territories and around the margins of what had been the Western Roman Empire, and out of those states grew France, Spain, Italy and (with greater complications) England and Germany.

Having illuminated the production of polemical print to great effect in his first monograph, Politicians and Pamphleteers, Dr Peacey addresses its appropriation in his second, Print and Public Politics in the English Revolution.

The War on Heresy is the most recent of R. I. Moore’s writings on medieval heresy and repression, which have been appearing since 1970.

Martin Hewitt’s study is a meticulously researched account of the mid-Victorian phase of the campaigns against press taxes.

In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).