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There is a long-standing tradition of joint-authored works that seek to understand the economics of British imperialism from the perspective of its underlying cultural assumptions and practices.
This book sheds much light on the ascendancy of liberal values in the 19th century and their role in the transformation of the fiscal military state of the previous century. While using a wealth of secondary literature, including many essays and review articles in literary weeklies and monthlies, William Lubenow charts new and important territory.
With edits by the editors Chris Cotton, Peter White and Stephen Brooks.
In Handley Cross, an early Victorian sporting novel, Mr.
There is an argument for saying that there have been two particularly welcome developments in recent works of broadcasting history. The first of these is an increased attention to the role of radio and television in the creation and reproduction of national identity.
‘Structure’ is still an unfashionable word in history. Since the late 1980s, ‘post-structuralism’ (or, more commonly, its elastic cousin postmodernism) has seemed to dominate much historical writing and methodology. The ‘linguistic turn’ has sharpened historians’ attention to the power of language.
A recent edition of Society Now, the magazine of the Economic and Social Research Council, makes a compelling case for the substantial contribution of the social sciences towards ‘a healthy society, a productive economy and a sustainable world’.(1) Professor Mike Savage’s latest work plots the changing path of the social sciences through Britain’s post-war soc
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
In March 2011, BBC Two broadcast a 90-minute adaptation of Christopher Isherwood’s Christopher and His Kind (1976).(1) Leaving aside its possible merits and/or shortcomings, the airing of this TV-dramatisation was indicative of an on-going fascination with Isherwood’s portrayal of the decadent, Nazi-ridden Berlin of the Weimar Republic, captured most famously
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories: