First published in 1961, Holt's Modern History of the Sudan deservedly established itself as the standard introduction to the subject. Holt revised the work in 1963; since 1979 he has collaborated with Martin Daly on further - slightly retitled - editions, of which this is the most recent.
A History of Nigeria is an impressive book, the more so because its ambitions initially appear straightforward. Toyin Falola and Matthew Heaton describe their project as ‘a general background survey of the broad themes of Nigeria’s history from the beginnings of human habitation … to the early twenty-first century’ (p.
Elizabeth Schmidt’s Foreign Intervention in Africa: From the Cold War to the War on Terror is an enticing prospect for those studying conflict and warfare in contemporary Africa.
Grootplaas, a produce farm that specialises in citrus and numbers around 900 hectares in size, is the subject of Maxim Bolt’s latest monograph, Zimbabwe’s Migrants and South Africa’s Border Farms: The Roots of Impermanence.
Ten years after its publication, A History remains relevant. The epidemic continues to rage. The context of its historical and relational trajectories continues to shape both its evolution and the responses to it.
In 2012 a host of commemorative events took place in France to mark the 50th anniversary of Algeria’s independence, an indication for some that decades of imposed silence and reticence on the part of those who experienced the pangs of decolonization were finally drawing to an end.
The architect, like other professions in the modern world distinguished by specialist training (doctors, engineers, etc.), cannot be conceived easily without some notion of ‘expertise’.
In Dockworker Power: Race and Activism in Durban and San Francisco Bay Area, historian Peter Cole compares the union histories of two port cities, the militant struggles of dockworkers against racial discrimination, their response to technology (in the form of containerisation),
In Colonial Al-Andalus, Professor Eric Calderwood explores the origin of a claim widely promoted in Moroccan tourism, arts, and literature and finds its roots in Spain’s colonial rhetoric.