David Nirenberg’s Anti-Judaism: The Western Tradition is an impressive scholarly accomplishment that matches a dauntingly large subject matter with a vast vault of personal knowledge. At 474 pages and 13 chapters covering more than 3000 years, it is thorough without being exhaustive.
The work of Mary Carruthers is well known to students of medieval culture. Her Book of Memory charted discussions of memory from antiquity to the late Middle Ages, treading in the footsteps of Frances Yates in arguing that memory was not just another concept in the minds of medieval writers, but a conceptual motor for the organisation and motivation of thought.
The period of medieval intellectual history covered by this book, primarily the 12th and 13th centuries, is one that has received considerable attention for well over a century. The main question, then, is what does Ian Wei bring to this subject that has not been done before, or how has he reshaped it? The answer is he has done much in both respects.
As this book begins (p. 1), the author marvels how the art of the Wycliffite Bible, one of the most popular books in late medieval England, has not been studied systematically. The answer lies in the historiography of the Wycliffite Bible. Kennedy suggests that the ‘Shadow of the Reformation’ has created a binary view of Wycliffite Bibles, linking them to heresy and illegality.
In a time of prolific and revolutionary authors Hugh of Saint Victor lit up the 12th century with a particularly unique voice, combining an intense passion for teaching with a pragmatic and systematic mind. Out of his large body of work his Mystic Ark has always provided more questions than answers.
The Cistercian abbey of Henryków in Silesia, settled in 1227, is perhaps best known to medievalists primarily because of the Henryków Book, a codex compiled c.1310, containing two narratives of the abbey’s (and region’s) history from c.1160 to the date of compilation of the codex, as well as a list of the bishops of Wrocław and a number of charters embedded within the
It is surprising how frequently books appear on the subject of Adam, Eve and the Garden of Eden. The already extensive bibliography in this volume could easily be doubled or trebled (1), but it has to be said that this is a fascinating, original and impressive contribution to what we might term protoplastic studies.
Frances Yates’ seminal book Giordano Bruno and the Hermetic Tradition (1964), which established a longstanding scholarly orthodoxy that Renaissance magic derived from interpretations of the Hermetic Corpus, has been challenged in its details by Bruno scholars and others.
Dušan Zupka draws on the rich scholarship of medieval rituals and symbolic communication produced by medievalists working mainly on western European material, and endeavours to show that the same types of ritual communication existed in Árpád-age Hungary.
In Geoffrey Chaucer’s The Canon’s Yeoman’s Prologue and Tale, the phrase ‘ignotum per ignocius’ is used in connection with the so-called ‘sliding science’ at which the would-be alchemists of the tale labour so diligently.(1) The phrase means to explain the unknown by the more unknown.