There are few historical events with a cultural legacy as enduring as that connected to the Second World War. The conflict occupies an important place within many personal, as well as national, narratives. Those interested in its history and heritage are confronted by an enormous range of writing, on a wide variety of themes.
In one memorable incident related in Keith Thomas’s In Pursuit of Civility: Manners and Civilization in Early Modern England, an unfortunate diner fell victim to poor table manners.
With her latest book, Jordanna Bailkin makes a singularly impressive contribution to 20th-century British history. Her focus is on the various sites that were built or, more commonly, re-purposed to hold refugees who reached Britain at various stages in the 20th century.
The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.
As a late medievalist who has recently moved to Scotland, I was disappointed to learn that the Burrell Collection in Glasgow – home to the many medieval treasures once owned by the shipping magnate and prolific collector, William Burrell – is closed over the next two years.
It has become commonplace for historians to refer to 18th-century England’s ‘consumer revolution’. Empire, international trade and later industrialisation brought goods to English homes in ever greater numbers and variety. Debate continues, however, on the extent of participation in this revolution.
‘This book’, writes Jeffrey A. Auerbach in his Introduction to Imperial Boredom, ‘is very much about how people felt’ [his italics]. As such, it takes its place in a growing body of scholarship that explores through individual lives the mind-set that under-pinned the empire project, both individually and on a collective level.