This book seems to have been a long time coming. Its precursors were a slim volume in the popular Macmillan Studies in Economic and Social History series in 1992, and more recently the Atlas of Victorian Mortality (with Nicola Shelton), published in 1997.
This volume seeks to display mid-nineteenth century views on modernity as well as to investigate aspects of modernisation in Victorian London. Observers then and now could not and cannot help but note the piecemeal re-development of London in this period, compared, for instance, with Paris.
Several decades ago, during my teenage years in the 1970s, I attended a grammar school near Reigate in Surrey. Every weekday morning for seven years, I would take an early train from Horley to Redhill, before walking or catching a bus from there to the school.
Professor Orme's new and lavishly illustrated work on medieval children presents the lives and activities of children in England from the Anglo-Saxon to the late Medieval periods. Although many aspects of childhood in the medieval period have been covered by other writers, Professor Orme is the first historian to attempt to discuss the topic from before the Norman Conquest to the 16th century.
The relationship between slavery, colonialism, capital accumulation and economic development has long been an issue that has exercised political economists and economic historians, though it is perhaps fair to say that it tends to be neglected in standard university courses for undergraduates.
Two very starkly contrasting approaches to the history of the sixteenth century lie behind three of the books reviewed here: Mark Nicholls' Two Kingdoms, Glenn Richardson's Renaissance Monarchy: the Reigns of Henry VIII, Francis I and Charles V, and the Patrick Collinson-edited volume The Sixteenth Century, 1485-1603.
In his foreword Tony Blair suggests that this book 'offers an overview of the important themes in the WEA's history and relates the past to the present and future of the association.' This is indeed true. The book acknowledges the association's successes, but is critical of its failures; its tone is at times joyful and at others poignant.
This collection of essays arises out of the 2001 Neale lecture at University College, London by Joanna Innes and the colloquium that followed it. Although the Neale lecture is in British history, this book is very much a work of parliamentary history, catholic enough to extend its deliberations to considerati
The period between 1760 and 1820 was the golden age of British pictorial satire. But only in the last 20 years have the artists and their work attracted serious study in their own right.
Professor John Kent brings a distinguished reputation as a historian of religion in eighteenth- and nineteenth-century Britain to the near-impossible task of saying something new about John Wesley.