This book is impressively detailed, showing women's experience of demobilisation and the aftermath of armed conflict - an often neglected area of military study relating to women - as well as their feelings about morality, their male counterparts, uniforms, duties and a slew of other subjects.
Sweden, Prussia, and Russia. Three great powers were forged in the fire of the Northern Wars. The military monarchies fed on weaker neighbours where such existed. In the sixteenth century, Poland-Lithuania, Brandenburg and Sweden carved up the small Baltic empire left by the crusading knights of the Teutonic Order.
This substantial volume is about more and less than the title indicates. Jill Harsin, known to specialists of nineteenth-century France for her earlier book, Policing Prostitution in Nineteenth-Century France (Princeton University Press; Princeton, 1985) has here produced a detailed narrative of the role of Paris artisans in revolution and popular unrest between 1830 and 1848.
s the deft pun in the title reminds us, one of the ways in which nations were both imagined and institutionalised in the nineteenth and twentieth centuries was through the conscripting of young men into the army. The ways in which they were called up, selected, trained and led, and the arrangements made for their families left behind deeply affected the nature of nationhood.
Götz Aly’s and Susanne Heim’s Architects of Annihilation is a translation of the authors’ Vordenker der Vernichtung. Auschwitz und die deutschen Pläne für eine neue europäische Ordnung (Hamburg: Hoffmann und Campe), first published in 1991. The alteration to the title may be designed to emphasise the authors’ argument that there was a rational purpose behind the Holocaust.
In the popular imagination, the geographical complexity of the Holocaust has been reduced to two Polish towns, Oswiecim and Warsaw. The death camp sited in the former has emerged as not only the definitive death camp and representative of the state-sponsored factory-like mass killings of the Holocaust, but also as a synonym for evil.
The First World War is Russia’s ‘forgotten war’. After the Bolshevik seizure of power in October 1917, the memory of the war was subsumed into the history of the revolutionary process.
This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
The First World War Poetry Digital Archive was launched in late 2008. The site comprises a substantially revamped version of what was previously the Wilfred Owen archive and includes Oxford University’s virtual seminars for teaching literature online series.
Introduction: trauma, modernity, and the First World War