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Joseph P. Huffmans Family, Commerce and Religion in London and Cologne: Anglo-German Immigrants, c.1000-c.1300: (Cambridge 1998) is the most recent contribution to a burgeoning field of historical scholarship, i.e. the study of Anglo-German relations in the Middle Ages. Over the last fifteen years a number of studies have appeared on the subject.
It has been fashionable to downplay the importance of battles in medieval military history. 'Most campaigns did not end in battle largely because both commanders were reluctant to risk battle', was John Gillingham's verdict. He pointed out that Henry II never fought a battle, yet had a great military reputation.
This exciting new study argues that medieval aristocratic women not only had power to exercise authority, but that they did so in different capacities depending on the times of their life cycle.
In 1992 a conference was held at Reading to study the changing relations between England and Normandy that resulted from the conquest of 1066.(1) Some ten years later, after a period of intense historical investigation, a colloque at Cerisy-la-Salle re-examined the questions raised at Reading and assessed the ways in which historical understanding of t
In recent decades, the fields of women's and gender studies have rapidly expanded. In trying to understand women's roles in past societies, historians have paid particular attention to issues surrounding marriage, family, and the household.
This is a splendid book, weighty, richly documented and densely argued. The title might suggest a book of focused, perhaps rather limited scope.
On the opening page of her new book Privacy and Solitude in the Middle Ages, Diana Webb identifies its driving interests: first, 'in what medieval people regarded as reason or justification for retreating, permanently or temporarily, from the wider society, and secondly in their awareness of their dwelling spaces'.
In the introductory chapter to her engaging book, Ruth Watts remarks on the 'dissonance' between women and science and the seeming paucity of scholarly literature on the subject. Upon deeper investigation, however, Watts soon discovers that she is mistaken.
This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
When one is sent such an item to review one inevitably speculates why. Is one a known purveyor of hot air? Or just vulgar and unshockable?(1) Is one being set up for Max Reger’s response to a music critic? 'Ich sitze in dem kleinsten Zimmer in meinem Hause. Ich habe ihre Kritik vor mir.