What is a ‘Companion’ for?
In Britain today, alcohol is a topic of concern to the government, media, and academics alike. The papers tell of ‘Binge Britain’, and academics inform us that there is a new kind of drinking and intoxication that attracts young people to our city centres.
When you walk in to the Propaganda: Power and Persuasion Exhibition at the British Library you are told that ‘propaganda is used to fight wars and combat disease, build unity and create division’. You then walk through a guard of honour of black mannequins that offer different definitions of the word ‘propaganda’.
Four years ago I published a review in this journal of a book on The Origins of Racism in the West.(1) I would like to begin the analysis of the volume by Bethencourt in the same way in which I began my piece on The Origins of Racism in the West, i.e.
In the latest of our occasional Reviews in History podcast series, Anthony McFarlane talks to Felipe Fernandez-Armesto about his new book, Our America: A Hispanic History of the United States.
Felipe Fernández-Armesto (born 1950) is a British historian and author of several popular works of revisionist history.
From the moment it was first published in 1997, Maria Todorova’s Imagining the Balkans became an instant must-read, in particular but not only, for readers interested in the history of the ‘Balkans’. Concerns about the situation in Southeast Europe at the time, in the aftermath of the wars in the former Yugoslavia, guaranteed that its impact reached beyond the specialist public.
It is an ambitious book that would try to cover the Conquest of Mexico, the rise and fall of the country’s hacienda system, the emergence of the Virgen de Guadalupe, the intricacies of Emiliano Zapata’s role in the Mexican Revolution, and the exodus of women from rural regions in the mid-1960s to look for work as ‘household help’ in the nation’s fast-growing capital city.
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.