Claire Langhamer’s hotly anticipated new book is part of a new wave of scholarship on romantic love, including Simon May’s Love: A History, Lisa Appignanesi’s All About Love and William Reddy’s The Making of Romantic Love.(1) Langhamer has previously published several articles on the subject: ‘Love and courtship in mid-twentieth-century Engla
In the late 19th century, the issue of infanticide captured the attention of a significant number of journalists, psychiatric and medical writers and social commentators. The act of intentionally killing an infant within 24 hours of its birth was by no means new to this period.
‘We have to produce something that doesn’t yet exist and of which we can have no idea of what it will be’.
In London between 1918 and 1924, the social, economic, and – crucially – sexual freedoms of six young women became the conceptual battleground on which the outcomes of a series of high-profile criminal and civil trials for libel, murder, drug-taking, and divorce were determined.
This well-crafted volume of ten essays is an important contribution to the growing body of research on women and law in England the pre-modern period. Each essay examines a different aspect of women’s interactions with the law (broadly defined and encompassing both secular and ecclesiastical courts) and, as suggested in the title, foregrounds their agency.
Both the problematic discourses of ‘professional/amateur’ and ‘public/private spheres’, and also the multifaceted hierarchies between the fine and the applied arts, have received substantial academic enquiry in the last thirty years. This is particularly true for the art historians researching the cultural activities of middle-class women in 19th-century Britain.
In the latest of our occasional Reviews in History podcast series, Jordan Landes talks to Amanda Herbert about her new book, Female Alliances: Gender, Identity, and Friendship in Early Modern Britain.
Amanda Herbert is assistant professor of history at Christopher Newport University.
Elizabeth I (1533–1603) has been the subject of many fictional representations, some as early as the 1680s, speculating about her private life. Theatre plays, novels and later also films explored the allegations made against her during her life-time, such as suggestions that the Queen was infertile, that she was malformed, or in fact, a man or a hermaphrodite (p. 355).
Women, Work and Sociability in Early Modern London is Tim Reinke-Williams’ first monograph, drawn from elements of his PhD thesis ‘The negotiation and fashioning of female honour in early modern London’.(1) Crucially, it is also the first work dedicated solely to the exploration of how women from the ‘middling sort’ and labouring poor constructed iden
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).