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Firing off ideas and arguments in all directions, Jussi Parikka’s What is Media Archaeology? is an exciting and excitable contribution to cultural theory. The book begins by outlining the strands of historical and cultural enquiry, as well as the artistic practices, that currently constitute what he terms ‘media archaeology’.
Over 40 years ago, Robert Darnton proposed to evaluate the Enlightenment from its authors’ perspectives. After all, he observed, they were ‘men of flesh and blood, who wanted to fill their bellies, house their families, and make their way in the world’.(1) But with what did they fill their bellies, and when, and how much?
It is 50 years since Thomas Kuhn published the million-selling Structure of Scientific Revolutions, and the work reviewed here rightly acknowledges Kuhn’s to be ‘by far’ the most cited and discussed 20th-century book about science (pp. 415–16). What has the history of science come to in the intervening half century?
The field of food studies has gained significant traction over the previous two decades. Across a range of disciplines, from religious studies to anthropology to history, among others, a growing body of books, articles, and conference papers has explored the history of particular foods.
In his first book, Sublime Disorder: Physical Monstrosity in Diderot's Universe (1), Andrew Curran focused on the different means by which corporeal and moral monstrosity were figured and evoked in the celebrated Enlightenment thinker's work.
Psychoactive drug restrictions and prohibitions have typically followed a reactionary pattern. From tobacco to LSD, the introduction of novel drugs has prompted therapeutic experimentation. Officials showed little concern until these substances also became popular recreational intoxicants.
Controversies over nuclear issues are no strangers to New Zealand. To some this is a surprise. Often regarded in the northern hemisphere as a country both remote and insular (one of ‘eternal Sundays’ as playwright Alan Bennett has written), it is a locality that at times jolts with a seismic unpredictability.
At first sight this looks like another of those increasingly common commodity books, some of which are intended to be global in scope, and which include studies of chocolate, sugar, cod, salt and many others (digestible or not!). As Riello points out, commodities are a good way to tell a global story since many of them have been traded throughout the world for centuries.
The quest for saltpeter, the ‘inestimable treasure’ of Tudor and Stuart monarchs, crucial for the production of gunpowder, is the subject of David Cressy’s work, which spans the reign of the first Tudor, Henry VII, to the industrialised warfare of the 20th century.
The year was 1964, and there were good reasons to feel ‘stressed out’. Presidential candidate Lyndon B. Johnson stoked American anxieties. His campaign team broadcast a television commercial that graphically illustrated the predicament of the modern world. In it, an innocent young girl plucks the petals off a daisy as she tentatively counts from one to ten.