Search
At its most basic level, a market is a locus of exchange, which enables people who need or desire certain things that they themselves do not produce to acquire these goods from others.
The liberal enlightenment idea of progress has promised many benefits over the past 300 years. Liberal progress, we have been told, would provide cures for diseases, remedies for ignorance, alternatives to superstition, and antidotes to poverty. Nothing however has raised higher expectations than liberalism’s claim that it could put an end to war.
For one momentous week, London was convulsed with the most tumultuous series of riots, disorder and arson that its inhabitants had ever experienced. This volume of essays on the Gordon Riots of June 1780 is undoubtedly timely, published in the same month as the report commissioned by the government into the riots that afflicted London and other cities in August 2011.
The history of Britain during the two inter-war decades could be characterised by reference to a process by which, while the nation still clung to many of its pre-1914 imperial certainties (which in many ways still defined British identity), society was exposed to, and ‘Britishness’ to a degree undermined by, the forces of Americanisation.
Child of the Enlightenment is a captivating book: charming, moving, and richly informative, it melds the intimate and distant, weaving together bodies, emotions and minds, Enlightenment ideas and philosophy, and revolutionary politics.
‘I wish I knew a history was a history,’ remarks Gertrude Stein in A Geographical History of America.
This impressive book brings together two strands of media history to create a new narrative, attempting to explain how and why newspaper journalism in Britain and the United States was transformed between the 1830s and the first decades of the 20th century, establishing the popular style of journalism we know today.
Rosalind Crone’s Violent Victorians is the kind of book that should be on every undergraduate reading list for 19th-century studies.
Theodore Ziolkowski has been writing in the fields of German literature (especially Hermann Hesse) and comparative literature for some 50 years. One of his abiding interests has been an examination of what happens to the mythology, themes and plots embedded in works of ancient literature when modern writers and other artists encounter them.