Wounds, Flesh, and Metaphor in Seventeenth-Century England is a wide-ranging study that examines the metaphor of woundedness within and across political, legal, religious and literary texts.
In recent years Ashgate Publishing has become one of the most dominant forces in the field of early modern studies, and the recent appearance of the impressive volume edited by Michael Hunter of Birkbeck College entitled Printed Images in Early Modern Britain: Essays in Interpretation (2010) is a case in point.
A new book in one’s specialist area, in this case the historical and cultural study of popular song, is a reason for both excitement and anticipation. Excitement because one wonders what new insights the work will disclose, what new sources will be revealed and in what ways the area of study will be moved forward.
Shortly before he left them, Christ told his disciples that the end of the world was imminent, and would be heralded by a time of tribulation. There would be wars, plagues, famines and false prophets. It would also be a time of evangelical enterprise, during which the word of God would be carried to the ends of the earth.
For more than half its existence as a discrete though intensely varied musical form, jazz lacked a scholarly literature. Periodicals ruled the roost. In the USA Metronome, founded in 1881, and Downbeat, first published in 1936, dominated, reviewing records, profiling leading instrumentalists and chronicling music industry gossip.
The title of Susan Whyman’s The Pen and the People: English Letter Writers 1660-1800 suggests two potentialities at once: The Pen and the People indicates a comprehensive study of popular letters and letter-writing practices during the long 18th century (1660–1800); yet the subtitle, English Letter Writers, implies focused and discrete analyses of specific letter
Celebrity is becoming a hot topic for academics of all kinds, witnessed by the launch of the journal Celebrity Studies earlier this year.
In 1886 the Glasgow Prayer Union (GPU) remembered in their customary prayers a woman across whom one of its ‘ladies’ had come. She had been ‘found lying very drunk near Cattle Market with young infant’. Concerned for the infant’s life, the unnamed philanthropist (not a word Smitley uses) takes the child to the nearby police station, ‘where the woman was also taken’ (p. 44).
If the debut of the Illustrated London News (ILN) in May 1842 signalled ‘a revolution in journalism and news reporting’, as the introduction to this remarkable on-line collection contends, there can be little doubt that an equally revolutionary transformation has occurred over the c